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And finally both films are simply about love.

The camera holds steady on individual faces and dwells on long conversations between Anna and Kata, allowing viewers to catch a glimpse of flickering eyes and shifts in bodies in space.

Her best-known movies had until then centered not on the lives of the famous but on women caught up in private, churning dramas: factory workers negotiating friendships and love affairs, orphans in search of family, women trapped or poisoned by their proximity to power.

Plot Synopsis: Trailblazing auteur Márta Mészáros gives aching expression to the experiences of women in 1970s Hungary in this sensitive and absorbing drama, which became the first film directed by a woman to win the Golden Bear at the Berlin Film Festival.

Cuenta la historia de Kata, una trabajadora soltera de una fábrica, que se interesa por los niños abandonados y trata de adoptar uno.

Through intimate camera work, Adoption immerses the viewer in the worlds of two women, each searching for fulfillment: Kata Katalin Berek , a middle-aged factory worker who wants to have a child with her married lover, and Anna Gyöngyvér Vígh , a teenage ward of the state determined to emancipate herself in order to marry her boyfriend.

Bottom-line: One of the all time great films of Hungarian cinema.

And yet the people with whom they share their lives—co-workers, fellow boarders, neighbors—tug at the edges of the movies.

During this time, Kata develops a friendship with Anna, a teenaged girl with a troubled past who lives at a state run shelter for delinquents and orphans.

We follow her as she goes from room to room, attracting direct, penetrating gazes, with each one drawing the camera into a force field of its own.

It was also a new restoration.